Path and Inspiration I am drawn to that particular quality of stillness and sobriety that pots can have and aim to make pieces that are quiet and contemplative, revealing their qualities to the viewer over time and through use and handling.
Process and Practice Her work is reduction fired stoneware; each piece initially thrown or handbuilt, then individually worked and decorated. Stripes, spots and cross-hatching map out the surface and reveal aspects of the form. The reduction firing produces muted colours, which are often marked out with darker lines of patterning. Each resulting pot is unique yet shares a family resemblance with its fellows.